Content
Este inicial entretenimiento de NetEnt posee símbolos cual poseen duplo valor, ¡así que podés obtener incluso diez símbolos de paga con separado 5 de apoyo! Por eso en las símbolos importantes estaría la clave Ranura montezuma de conseguir jugando una máquina tragaperras. Continue Reading
Grootte
Heb jou vragen afgelopen onzerzijds Misbruik plus Inspanning-wetgeving ofwe wilskracht jou internetmisbruik verraden? Mits uwe zakenpartner, pa ofwe voogd overlijdt, ontvangt de indien nabestaande wellicht medestrijder- ofwe wezenpensioen van PMT. Continue Reading
Content
Junkie, diese jedes mal das Extremum ausschöpfen möchten, einbringen die Eigenleistung durch 500 Eur, erhalten 500 Euroletten & spielen inoffizieller mitarbeiter Schnittstelle qua einem Startguthaben bei 1.000 Euro. Die durch uns recherchierten Weltraum Slots Bewertungen sind solide, denn wenigstens verfügt unser Spielbank eine europäische Erlaubnis alle Malta ferner hat sich inside ein Mitvergangenheit als vertrauenswürdig erwiesen. Continue Reading
Blogs
That’s whenever Nyc Times finest-selling blogger Terry Brooks open to https://mrbetlogin.com/pyramid-of-gold/ give a short… The most popular character on the preferred fantasy arena of in history concerns life in his very first brand-new comic guide story. Continue Reading
The revolution in the worId of gambling happened awhile ago when first online casinos started to appear on the lnternet in 1996-1997. Port activities modern casino 100 % free take up Attributes: 100 % free Re-writes and Add-ons Most online casinos provide the new competitors with desired add-ons that differ in measurement but generally assistance the novices to lift their integration into the casino. Continue Reading
While many people previously know about the great fun that they can have at a internet casino. If you have spent all your virtual funds on game titles, additional cash will be transferred to your bank account. More online 카지노사이트 possess added rapidrops.in freedom of gameplay through the cellular net. Continue Reading
Serge Strosberg – The Painterly Alchemist
by Faye Ran
Born in Antwerp, Belgium, Serge Strosberg’s MD and PhD-in-chemistry mother and noted Biochemist Professor-at-the-Pasteur-Institute father soon discovered that they had a drawing prodigy on their hands. They delighted in his skills and sought to develop and encourage young Serge in that pursuit. Strosberg, in spite of his talents or perhaps because of them, decided to receive his BS in chemistry before further pursuing formal art education in Paris at the Academie Julian and the Ecole des Beaux Arts. Even without knowing this, one can discern Strosberg’s intense technical mastery and polyvalent mixing of Pop, Photorealism, and humanistic Expressionism. His paintings range from the playful, humorous and satiric to the meditative and melancholy.
They are inbued with philosophical and existential ruminations on the nature of identity, sexuality, culture, commerce, authenticity and ephemerality. Strosberg declares that his last six years of living in SoHo, New York City, “surrounded by fashion storefronts, lights, reflections, music, vibrations, marching crowds, police sirens and the constant flow of energy” have also entered into his painting.
What is a surprising revelation in looking at these disparate Strosberg images is the underlying thematic approach to representing the internal and the external. The vitrines (or ‘panes’– indeed a word play) through which life is layered and experienced become a situating metaphor. Strosberg’s technical mastery allows the viewer to see into and through space creating a sui generis approach to the objective and subjective nature of presence and portraiture. The alluring, sexually playful and seductive modelesque woman in front of a window with a window behind her in Strosberg’s “I Have a Dream” teases the viewer as she holds up a childlike lollipop, her tongue poised, ready to kiss or mock the viewer who cannot touch her. The carefree swirls of her hair are offset by the unexpected complexity and tumultuous lines and colors of the shirt which flattens and obscures her breasts. Strosberg’s more lyrical and poignant painting, “In Vivo in Vitro I” shows a mature woman, whose flesh and face though still beautiful are beginning to fade. Her face is obscured by light passing across the window she is looking into. There is a sense of surprise and yearning on her face, her lips pursed on the verge perhaps of speaking or of restraining herself. We do not know if she is tapping to be let in or if she has found herself locked out. Strosberg declares that a viewer “needs to spend time viewing a painting to understand it; you need to be present to live in it and feel it.” The more one looks at “In Vivo in Vitro I” the more one feels a great variety of emotions, and enters the spirit of philosophic questioning present in all Strosberg’s work.
The third painting, “Medium Yellow Karl” is Strosberg’s most comical and satiric with miniature Karl Lagerfelds, the internationally acclaimed German high fashion designer and head designer and creative director of the great Parisian fashion house, Chanel, as well as his own fashion label, popping up everywhere like an aristocratic high priest dressed in somber and authoritarian black and white, sporting a royalist white head of hair/headdress and wearing his signature glam sunglasses. Here, fashion is sacred and ubiquitous seen through Strosberg’s colorful window/iris pattern which combines pop and religious stain glass iconography, at once playful, comic, intense and visceral. Strosberg cleverly asks “Is seeing believing?” and waits for us to answer.
Even if you can’t spend April in Paris, you can experience the pulse of Paris at a new exhibition “The Sins of Paris” from April 13 through June, featuring paintings by Serge Strosberg at The Lionheart Gallery in Scotts Corners, Pound Ridge, NY. A New York artist born in Antwerp, Belgium, Strosberg trained in Paris at the Academie Julian and L’Ecole des Beaux-Arts.Inspired by “The Seven Deadly Sins”, a painting by German Expressionist Otto Dix, Strosberg takes a subtle approach imbued with wit. He says that while the paintings were done in Paris with the French actress Clemence Verniau as his model, his theme – an attractive young 25 year old actress who comes to the big city and wants to be a star – could just as easily portray the life of an aspiring actress in New York or Los Angeles. They all experience the various emotions: Greed, Lust, Sloth, Jealousy, Gluttony, Wrath and Vanity. Strosberg will greet visitors at his Lionheart Gallery opening on Saturday, April 13 from 4 to 7 p.m..
Describing himself as a contemporary expressionist/realist, Strosberg’s goal is to penetrate beyond the glamorous façade to capture the soul of his subjects, who often feel insecure, lonely, frustrated, envious of the competition, and angry when pursued by preying producers.
He manages to portray their quirkiness with both empathy and wit. It’s been said, “Strosberg is like Diane Arbus in Reverse.” Instead of offering a glimpse into the world of the marginalized and scorned, most of Strosberg’s subjects are society’s most glorified. They appear to inspire envy but Strosberg says, “The point is that even the most enviable seem to have a sad secret.” His beautifully rendered paintings are made with egg tempera and oil. Using these to paint the t the human figure, he creates the bright light and strong color contrasts seen in centuries old church icons.
Strosberg first came to Paris as a young boy when his father, a famous scientist was invited to work at the Pasteur Institute there. He later lived in the USA and graduated from Grinnell College in Iowa where he studied Abstract Expressionism and was encouraged to pursue a career as an artist. He returned to Paris to study art and also took photography courses with Peter Knapp, an artistic director of Elle magazine. Strosberg has always been fascinated with the world of fashion and his work often reflects elements of photography.
Since 2008, Strosberg has lived in Soho, NY, where his loft overlooks several of Broadway’s fashionable boutiques. Intrigued by the store window displays, he notes that today’s live fashionistas look so much like the mannequins that it’s hard to tell them apart – real people are becoming more fake and the mannequins are becoming more real – they all aspire to the same ideals of perfection. His paintings create an edgy and provocative portrayal of our times, combining fashion and fantasy.
Over the years Strosberg’s artistic career has brought many unique opportunities ranging from artist-in residence programs at the Himalayas Art Museum in Shanghai, China and portrait commissions in London as well solo exhibitions in Palm Beach, Florida and the illustrating and writing of several books including “Kingdom of Dragons” which explains Darwinism for children.
The Lionheart Gallery is open Wednesday through Saturday, 11 a.m. to 5 p.m., and Sundays from 12 to 4 p.m at 27 Westchester Ave., Pound Ridge. (914)-754-8689 or www.thelionheart.gallery.com
– See more at: http://stacyknows.com/2013/sins-paris/#sthash.xhfDgVhk.dpuf
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean pellentesque sem sit amet lectus tristique bibendum. Duis id mauris in massa tempor tristique. Vestibulum sed orci sit amet purus dapibus sollicitudin. In at luctus odio. Curabitur ut ligula justo, vel congue justo. In hac habitasse platea dictumst.
© 2024 Serge Strosberg | Official Website